Summary
"The Way We Were"
A cultural sociological reading of the representation of the Jewish
identity in the American feature films
From the beginning of the American movie history, there were lots of
movies made, which had Jewish characters in leading roles. The Jewish
characters in the movies of course not representing the Jews as they
existed in the American society. The presentation of the characters in
the movies based on the view of the makers, how they see the Jews, which
based on how the society of different periods sees the Jews. Movies
always wanted to represent the view of the society – mainly in the
American movie industry, which wanted to reach financial success, so
they wanted to fit the audience’s expectations, sometimes even change it.
By watching the Jewish characters in the American movies, we won’t be
able to find out the American Jewish identity as it was, but we can see
how the moviemakers and the audience wanted to see them, actually what
kind of identity they would like if the Jews had.
The topic of the research is to examine the Jewish identity represented
in the American feature films from the view of the sociology of culture.
The hypotheses are:
Before the II. World War the Jewish identity in the American films is a
typical immigrant identity: has its bases in the European (Jewish)
culture, but on the new land feels free to create oneself a totally new
identity (based on the idea of the "American Dream")
Since the II. World War and the anti-Semitism was a European event,
maybe the American Jews didn’t made such a fundamental element of their
identity out of the Holocaust as the European Jews. After the II. World
War the American movie makers must familiarize the American society with
the Holocaust, that changes the Jewish characters in the movies.
Almost 50 years after the II. World War the Jewish characters seems to
be again something similar as they were before the Holocaust, but not
immigrants anymore, but real American citizens, who are part of the
American society.
So at the beginning we see in the movies Jewish immigrants who don’t
want to be Jewish (in a "European way") anymore, but want to be
Americans, although they don’t really know what does that mean. Later,
as the anti-Semitism also takes its effect in the USA, the Jewish
characters seems to disappear from the movie screen. As the USA enters
the II. World War – and against the Nazi side – and even later, when the
truth about the concentration camps became uncovered, the Jewish
characters appear again in the movies with a very strong Jewish identity.
This phenomenon on the movie screen for the sixties leads some kind of
"Jewish coming out": (the artists themselves also, but we examine the
movie characters) became proud Jews at the first place, and Americans
only on the second place.
Some more decades are needed to these Jews to turn back to their
previous – at the beginning of the century – dream: about the nineties
they really have the opportunity to became American and make real the "American Dream", but not by leaving their Jewish identity, as they
wanted, but making out a new kind of Jewish identity: an American Jewish
identity.
Of course we don’t know how it fits to the real American Jewish identity,
we can just see as it happens in the movies. This kind of forming out a
new kind of Jewish identity and as it can be seen in the American
feature films, is unique phenomenon in the Jewish sociology of culture (although
not unique phenomenon in the American movie history, since something
similar happened to the Black Americans – at least on the movie screen.)
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